Example footageīelow are keyframes from three videos shot using C-Log 3 / Cinema Gamut on an EOS R5. Let’s take a look at before and after examples to see the C-Log to Rec.709 Exposure Correction Luts in action. These LUTs are a huge timesaver (I know, I use them all the time), especially when importing and editing lots of footage that needs to be converted to Rec.709.
Under and overexposed footage (within 2 stops) are instantly corrected, and appear as if you nailed their exposure in-camera. Footage underexposed by 2/3 a stop? Use the +0.66 Rec.709 LUT.
They are modeled on Canon’s official Rec.709 LUTs for the EOS R, R3, R5, R5C, R6 and R7.įootage overexposed by 1 stop? Use the -1 Stop Rec.709 LUT. These 84 custom LUTs convert Canon C-Log and C-Log 3 footage to the Rec.709 color space AND normalize exposure using the proper C-Log gamma curve. That’s where these Exposure Correction LUTs come in! This can be accidental or intentional, for many videographers slightly overexpose their C-Log footage to create better looking skin tones and reduce noise.Ĭanon’s official Rec.709 LUTs do a good job of converting C-Log to Rec.709, but their LUTs are designed for perfectly exposed footage. In reality however, footage often turns out over or underexposed.
#Rec 709 lut download update
Note: This post was updated on Octoto update camera compatibilityĮvery videographer and filmmaker strives for perfectly exposed footage in camera.
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